You heard whispers about a Tiffany-glass ballroom in Downtown and went looking for a room key. Here is the candid truth from a concierge who has checked in thousands of guests across the Historic Core. The Alexandria at 501 S Spring St is no longer a hotel you can book for the night. The building opened in 1906 and today functions as income-restricted apartments with a separate special-events operation, Alexandria Ballrooms, that rents out its historic spaces for weddings, galas, photo shoots, and filming. If you want to sleep nearby and still soak up that early 20th‑century grandeur, you have excellent options within a five to ten minute walk.
Start with the famous room you have seen in photos. The Palm Court inside The Alexandria is a Los Angeles Historic‑Cultural Monument, designated as HCM #80. Under a stained-glass skylight in the Tiffany style, this was once the city’s most sought-after ballroom. You cannot stroll in on a casual afternoon. Access is event-based or for permitted filming, and there are no public visiting hours. If you have a wedding invitation or booked shoot, you will enter at 501 S Spring St and head up to the second-floor salons with your planner or site rep.
The building is split in two realities. One side is residential. The Alexandria Apartments are an income-restricted community with hundreds of units, and the lobby traffic you see on weekdays is mostly residents and staff, not hotel guests. There is no front desk for overnight visitors, no bell team, and no room-service line because there are no hotel rooms.
The other side is hospitality in a different key. Alexandria Ballrooms operates four rentable spaces in the complex, including the Palm Court, the gold-leafed King Edward Ballroom, the industrial-chic second-floor hall called The Mezz, and a smaller Bank Ballroom. The venue publishes clear, event-forward policies that matter if you are comparing to a standard hotel ballroom:
Those are not generic rules. They shape your budget and timeline if you are hosting here. A typical Hilton ballroom might bundle the dance floor and security. At The Alexandria, those are line items in your plan. The tradeoff is character: stained glass overhead in Palm Court, a fireplace and tall windows in King Edward, and that dramatic stair up to The Mezz that photographers love.
Since you cannot check in at 501 S Spring, decide what matters most for your stay: walkability to The Alexandria, a period interior, a rooftop pool, or a lower valet charge. All of the properties below are in Downtown Los Angeles and close enough to arrive at The Alexandria by foot or a short ride.
| Property | Address | What it offers | Typical fees or policies | Walk to 501 S Spring St |
| The Biltmore Los Angeles | 506 S Grand Ave | 1923 landmark with ornate public rooms, indoor Roman‑inspired pool, 683 guestrooms, five historic ballrooms | Valet parking about $71.50/night; check‑in listed at 3:00 p.m. | About 0.3 miles, a 6–8 minute walk through Pershing Square |
| Hotel Per La, Autograph Collection | 649 S Olive St | Former Bank of Italy building with a rooftop pool bar, lobby salon, and Italian restaurant | Valet $72/night; daily valet for diners from $25; destination amenity fee $35/day; check‑in 4:00 p.m. | About 0.4 miles, 8–10 minutes |
| Downtown L.A. Proper Hotel | 1100 S Broadway | Design‑forward rooms, rooftop pool and bar, restaurants by a noted culinary team | Valet listed at $70.40/night tax included | About 0.7 miles, 14–15 minutes or a short ride |
| The Delphi Downtown LA | 550 S Flower St | Reimagined in the former Standard building with a lounge, terrace, and diner | Valet $50/night; hourly valet $18 for first two hours then $10 per additional hour; destination amenity fee $35/day | About 0.5 miles, 10–12 minutes |
The biggest money difference you will feel across these choices is parking and fees. The Delphi’s overnight valet is currently lower than the other three. Hotel Per La and The Delphi both publish a daily destination or amenity fee that includes specific perks. Downtown L.A. Proper leans into design and its rooftop scene. The Biltmore offers the most direct line back to Los Angeles’ golden‑age interiors, and it sits beside Pershing Square for easy Metro access.
If you are getting ready for a wedding at The Alexandria, staying within a half‑mile makes dress‑steaming, vendor deliveries, and last‑minute runs to the venue easier. For example, Hotel Per La is two blocks from 7th St/Metro Center for rail transfers, and The Biltmore is a single block from the Pershing Square station entrance at 5th & Hill, which is also one block west of The Alexandria’s Spring Street door.
Budgeting here starts with the room and then layers in the must‑haves. Dance floor and security are required by the venue and not included in the base rental. If you plan a ceremony flip in Palm Court or King Edward, the standard access window includes time to do it, and the site explicitly allows an extra two hours for a flip when your ceremony and reception share the same salon. If you need more time, additional hours may be purchased subject to curfew rules.
The insurance clause is not a small detail. If you intend to place wine bottles on tables for self‑pour, you need host liquor liability named correctly on your certificate. Real flame candles trigger a fire permit. Outside vendors are welcome, which is excellent for culinary creativity, but there is no on‑site cooking, so your caterer will stage hot boxes and finishing equipment and may request extra prep time or a warming kitchen schedule. Ask the venue’s on‑site representative to walk you through load‑in routes because the building pre‑dates many of today’s back‑of‑house standards.
Capacity planning is often misunderstood with historic rooms. Palm Court’s seated capacity tops out around 260 with a central dance floor. If you plan a 10‑piece band and a sweetheart stage, your usable floor area changes, and you will want a scaled layout before you sign final counts. King Edward works beautifully for a ceremony of 200 with theater‑style seating, then cocktails on the balcony terrace above while the floor resets. If your guest list pushes 500 for a reception, The Mezz is the house workhorse, and it is a favorite for fashion shows because of the length, skylights, and staircase reveal.
Parking and guest arrival are specific here. The valet zone lines up at the Spring Street entrance, and underground pay parking in the building is available for events. For larger buyouts where multiple ballrooms are in play, a dedicated curb team on Spring can speed arrivals. The venue lists both valet and self‑parking at an additional rate, with plenty of nearby garages if you prefer to direct guests off‑site.
Curfew helps you plan the program. A Friday or Saturday event can run to 1:00 a.m., which gives you enough time for a band break, late‑night snack, and send‑off. Sunday through Thursday, the hard stop is midnight. A planner who works in Downtown weekly will keep an eye on street activity too. Spring Street is the spine of the Historic Core with nightlife and filming; a timeline that avoids a 6 p.m. curb crunch will make your cocktail hour feel calmer.
If you are not invited inside for a private event, you can still experience the setting. The building sits at the corner of 5th & Spring in the Historic Core. Walk past the old brick facade, then explore Spring Street’s Beaux‑Arts canyon between 4th and 7th. For a full downtown snapshot, point yourself one block west to Hill Street. The Pershing Square B and D Line station entrances are at 4th & Hill and 5th & Hill, a short walk from The Alexandria’s door. Metro puts you within a couple of stops of cultural anchors, and it is an easy link to 7th St/Metro Center for A and E Line transfers.
Photography etiquette matters. The ballrooms are not public spaces, and the residential side is exactly that, home to tenants. You can photograph the exterior from the sidewalk, but interior photography requires permission. If you see a gate or stanchion at the Spring Street door, that is often a sign of a booked event upstairs. For architectural fans hoping to glimpse the Palm Court glass, consider attending a public ticketed gala or fundraiser that rents the room, then coordinate with the host about their house rules. The venue’s own site is also film‑friendly, listing movie and music video shoots, but permits run through proper channels and are not casual drop‑ins.
Hungry nearby before or after a look at the facade. The blocks around Spring and 5th are dense with options that run on weekday hours, then pick up again in the evening. If you are staying at Hotel Per La, the rooftop Bar Clara serves noon to 10 p.m. most days, with valet for bar guests published from $25 plus tax. The Biltmore’s ornate public spaces, including its lobby paths to the Gallery Bar, let you bask in old‑Los‑Angeles atmosphere even if you are not staying overnight. For a faster coffee before a site visit, head west toward Grand Avenue where weekday hours are longer around the office towers.
No. The building does not operate as a hotel anymore. It houses income‑restricted apartments and the separate Alexandria Ballrooms event venue. If you want to stay close, look to The Biltmore, Hotel Per La, Downtown L.A. Proper, or The Delphi, all within about a 15‑minute walk.
Only during booked events or permitted shoots. There are no daily visiting hours and no casual walk‑throughs. If you are attending a wedding or gala, your access will be coordinated by the event host and the venue’s on‑site representative.
The venue lists a curfew of 1:00 a.m. on Friday and Saturday, and midnight Sunday through Thursday. The standard access window is 15 hours with the option to add time for a fee, subject to those curfews.
Ride Metro B or D Line to Pershing Square. Use the 5th & Hill entrance, which is one block west of 5th & Spring. From there, it is a short walk to 501 S Spring St. If you are staying at Hotel Per La, 7th St/Metro Center is two blocks from the hotel and connects to additional lines.
To narrow your stay choice, pick the fee structure and vibe that fit your plans. If you value a lower overnight valet and a modern lounge, The Delphi makes sense; if period architecture is your thing and you want to be closest to Pershing Square, The Biltmore is the classic move.
Published: September 8, 2026